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Anika Burgess is a writer, photo editor, and author of ''Flashes of Brilliance: The Genius of Early Photography and How It Transformed Art, Science, and History''.
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Anika Burgess is a writer and photo editor whose work has appeared in ''The New York Times'', ''The New Yorker'', and ''Atlas Obscura''. She serves as photo archive director at ''The New York Times'' and is the author of ''[https://wwnorton.com/books/9781324051107 Flashes of Brilliance: The Genius of Early Photography and How It Transformed Art, Science, and History]''. Burgess holds degrees in law and history from the University of Sydney and previously qualified as a lawyer before transitioning to journalism. ''Photo by Amir Hamja.''
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'''A ''Kirkus Reviews'' Best Book of 2025''' '''One of ''The New Yorker''<nowiki/>'s Best Books of the Year''' '''The story of the wildest experiments in early photography and the wild people who undertook them.''' Today it’s routine to take photos from an airplane window, use a camera underwater, watch a movie, or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous—and many of the innovators, entrepreneurs, and inventors behind them were memorable eccentrics. In ''Flashes of Brilliance'', writer and photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century. Writing with verve and an eye for compelling detail, Burgess explores how photographers uncovered new vistas, including catacombs, cities at night, the depths of the ocean, and the surface of the moon. She describes how photographers captured the world as never seen before, showing for the first time the bones of humans, the motion of animals, the cells of plants, and the structure of snowflakes. She takes us on a tour of astonishing innovations, including botanist Anna Atkins and her extraordinary blue-hued cyanotypes and the world’s first photobook; Eadweard Muybridge and Étienne-Jules Marey’s famed experiments in capturing motion and their long legacy; large format photography and photographs so small as to be invisible to the naked eye; and aerial photography using balloons, kites, pigeons, and rockets. Burgess also delves into the early connections between photography and society that are still with us today: how photo manipulation—the art of “fake images”—was an issue right from the start; how the police used the telephoto lens to surveil suffragists; and how leading Black figures like Sojourner Truth and Frederick Douglass adapted self-portraits to assert their identity and autonomy. Richly illustrated and filled with fascinating tales, ''Flashes of Brilliance'' shows how the rise of a new art form transformed culture and our view of the world.
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