This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago. It was abridged and adapted by the Observatory from a version produced by Wikisource contributors.
- Frontmatter
- Introduction
- Chapter 1: A Delicate Mission
- Chapter 2: Preparing for the Ordeal
- Chapter 3: In the Temporary Home
- Chapter 4: Judge Duffy and the Police
- Chapter 5: Pronounced Insane
- Chapter 6: In Bellevue Hospital
- Chapter 7: The Goal in Sight
- Chapter 8: Inside the Mad-House
- Chapter 9: An Expert(?) at Work
- Chapter 10: My First Supper
- Chapter 11: In the Bath
- Chapter 12: Promenading With Lunatics
- Chapter 13: Choking and Beating Patients
- Chapter 14: Some Unfortunate Stories
- Chapter 15: Incidents of Asylum Life
- Chapter 16: The Last Good-Bye
- Chapter 17: The Grand Jury Investigation
- About This Digital Edition
The day Pauline Moser was brought to the asylum we heard the most horrible screams, and an Irish girl, only partly dressed, came staggering like a drunken person up the hall, yelling, “Hurrah! Three cheers! I have killed the divil! Lucifer, Lucifer, Lucifer,” and so on, over and over again. Then she would pull a handful of hair out, while she exultingly cried, “How I deceived the divils. They always said God made hell, but he didn’t.” Pauline helped the girl to make the place hideous by singing the most horrible songs. After the Irish girl had been there an hour or so, Dr. Dent came in, and as he walked down the hall, Miss Grupe whispered to the demented girl, “Here is the devil coming, go for him.” Surprised that she would give a mad woman such instructions, I fully expected to see the frenzied creature rush at the doctor. Luckily she did not, but commenced to repeat her refrain of “Oh, Lucifer.” After the doctor left, Miss Grupe again tried to excite the woman by saying the pictured minstrel on the wall was the devil, and the poor creature began to scream, “You divil, I’ll give it to you,” so that two nurses had to sit on her to keep her down. The attendants seemed to find amusement and pleasure in exciting the violent patients to do their worst.
I always made a point of telling the doctors I was sane and asking to be released, but the more I endeavored to assure them of my sanity the more they doubted it.
“What are you doctors here for?” I asked one, whose name I cannot recall.
“To take care of the patients and test their sanity,” he replied.
“Very well,” I said. “There are sixteen doctors on this island, and, excepting two, I have never seen them pay any attention to the patients. How can a doctor judge a woman’s sanity by merely bidding her good morning and refusing to hear her pleas for release? Even the sick ones know it is useless to say anything, for the answer will be that it is their imagination.” “Try every test on me,” I have urged others, “and tell me am I sane or insane? Try my pulse, my heart, my eyes; ask me to stretch out my arm, to work my fingers, as Dr. Field did at Bellevue, and then tell me if I am sane.” They would not heed me, for they thought I raved.
Again I said to one, “You have no right to keep sane people here. I am sane, have always been so and I must insist on a thorough examination or be released. Several of the women here are also sane. Why can’t they be free?”
“They are insane,” was the reply, “and suffering from delusions.”
After a long talk with Dr. Ingram, he said, “I will transfer you to a quieter ward.” An hour later Miss Grady called me into the hall, and, after calling me all the vile and profane names a woman could ever remember, she told me that it was a lucky thing for my “hide” that I was transferred, or else she would pay me for remembering so well to tell Dr. Ingram everything. “You d—n hussy, you forget all about yourself, but you never forget anything to tell the doctor.” After calling Miss Neville, whom Dr. Ingram also kindly transferred, Miss Grady took us to the hall above, No. 7.
In hall 7 there are Mrs. Kroener, Miss Fitzpatrick, Miss Finney, and Miss Hart. I did not see as cruel treatment as down-stairs, but I heard them make ugly remarks and threats, twist the fingers and slap the faces of the unruly patients. The night nurse, Conway I believe her name is, is very cross. In hall 7, if any of the patients possessed any modesty, they soon lost it. Every one was compelled to undress in the hall before their own door, and to fold their clothes and leave them there until morning. I asked to undress in my room, but Miss Conway told me if she ever caught me at such a trick she would give me cause not to want to repeat it.
The first doctor I saw here—Dr. Caldwell—chucked me under the chin, and as I was tired refusing to tell where my home was, I would only speak to him in Spanish.
Hall 7 looks rather nice to a casual visitor. It is hung with cheap pictures and has a piano, which is presided over by Miss Mattie Morgan, who formerly was in a music store in this city. She has been in the asylum for three years. Miss Mattie has been training several of the patients to sing, with some show of success. The artiste of the hall is Under, pronounced Wanda, a Polish girl. She is a gifted pianist when she chooses to display her ability. The most difficult music she reads at a glance, and her touch and expression are perfect.
On Sunday the quieter patients, whose names have been handed in by the attendants during the week, are allowed to go to church. A small Catholic chapel is on the island, and other services are also held.
A “commissioner” came one day, and made the rounds with Dr. Dent. In the basement they found half the nurses gone to dinner, leaving the other half in charge of us, as was always done. Immediately orders were given to bring the nurses back to their duties until after the patients had finished eating. Some of the patients wanted to speak about their having no salt, but were prevented.
The insane asylum on Blackwell’s Island is a human rat-trap. It is easy to get in, but once there it is impossible to get out. I had intended to have myself committed to the violent wards, the Lodge and Retreat, but when I got the testimony of two sane women and could give it, I decided not to risk my health—and hair—so I did not get violent.
I had, toward the last, been shut off from all visitors, and so when the lawyer, Peter A. Hendricks, came and told me that friends of mine were willing to take charge of me if I would rather be with them than in the asylum, I was only too glad to give my consent. I asked him to send me something to eat immediately on his arrival in the city, and then I waited anxiously for my release.
It came sooner than I had hoped. I was out “in line” taking a walk, and had just gotten interested in a poor woman who had fainted away while the nurses were trying to compel her to walk. “Good-bye; I am going home,” I called to Pauline Moser, as she went past with a woman on either side of her. Sadly I said farewell to all I knew as I passed them on my way to freedom and life, while they were left behind to a fate worse than death. “Adios,” I murmured to the Mexican woman. I kissed my fingers to her, and so I left my companions of hall 7.
I had looked forward so eagerly to leaving the horrible place, yet when my release came and I knew that God’s sunlight was to be free for me again, there was a certain pain in leaving. For ten days I had been one of them. Foolishly enough, it seemed intensely selfish to leave them to their sufferings. I felt a Quixotic desire to help them by sympathy and presence. But only for a moment. The bars were down and freedom was sweeter to me than ever.
Soon I was crossing the river and nearing New York. Once again I was a free girl after ten days in the mad-house on Blackwell’s Island.