Info:Ce275e32-49a5-4763-91de-aceb6c635df1

Query: 5. Music, Temperament, and Social Concord{{Article buttons|override=The Creation of Order/Summer: Balancing Self-Expression With Group Order/5. Music, Temperament, and Social Concord|DeepArea=The Creation of Order/Summer: Balancing Self-Expression With Group Order/5. Music, Temperament, and Social Concord}}
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Transition Note

Quoted text:

What kind of creation? This question brings us back to the ultimate purpose of art. What was being expressed was a re-creation not of the artist’s personal experience but something more universal—the kosmos. Antiquity’s major public ceremonies were kosmos-renewing, and it was at these ceremonies that music was most pronounced. The celestial movements of the planets were emulated in song, dance, and instrumental playing (harps or lyres and flutes).

[Omitted text: “Whatever could be measured by number was standardized.”]

[Omitted text: “What once seemed to be realistic representational art now is perceived as reflecting a cosmological iconography.”]

Chapter 16 of Athenaeus’s Banquet of the Sophists dealt largely with the role of music in banquets and related occasions. He reported that:

Originally here there were two short paragraphs that did not fit and needed explication and transitions. Could you help us work them in?

The paragraphs were:

“Whatever could be measured by number was standardized.”

“What once seemed to be realistic representational art now is perceived as reflecting a cosmological iconography.”

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