Thea Applebaum Licht is a writer and researcher.
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European cabinet and gallery paintings reveal how private art collections became subjects of paintings themselves, shaping modern museums, curation, and the display of art.
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Thea Applebaum Licht is a writer and researcher based in Boston, Massachusetts. She studies the history of science as a PhD student in the Massachusetts Institute of Technology’s History, Anthropology, and Science, Technology, and Society (HASTS) program and received her BA in history and Germanic studies, with a minor in biological sciences, from the University of Chicago. Prior to joining HASTS, Thea worked as an analyst for a life sciences strategy consulting firm. Aside from her studies, she is an assistant editor at the Public Domain Review.